Monday, 31 October 2016

Mysterious Prof. P


‘Contemporary’, dictionary defines it as modern, synchronous, etc. In the field of Dance the form ‘Contemporary’ resonates rhythm, grandiose and discipline. To me this dance form is a cocktail of a lot of dance styles viz Ballet, Indian Classical Dance forms (Kathak, Bharatanatyam, etc), Jazz and many more. What I like about this dance form is its ability to express emotions in a larger than life pattern and the unique quality of dancing off beat (partially).

Financial Guru (dad) has a knack of eyeing the undervalued stocks. Over the years he has always maintained his ground rule “A fundamentally strong company with a good management team will never FAIL you.” In my opinion this RULE is applicable to all walks of life. So, while covering my piece on contemporary I chose to showcase the journey of “The Mysterious Porf. P”, our very own Punit J Pathak.



I chose the catch phrase ‘Mysterious’ coz not much is known about him apart from his work credits. Ask him about his crazy fan encounter, he blushes and narrates how a fan girl innocently forced him to have a bite from her chocolate (LOL). Known for being the Machine that runs 24 hours (workaholic) in the industry, a humble soul, he naively admits “I am a narcissist when it comes to my Work. I give ‘it’ my everything, that’s how passionate I am about my Work” From Dance India Dance (Season 2) to Dance+ (Season 2) the journey is full of ups and downs, yet a fundamentally strong person with a great vision will indeed Succeed.

Let us unveil the Mystery…



You belong to a business family so how difficult was it to choose dance as a profession?
I am the elder son of the family, my dad naturally wanted me to be a part of the family legacy (Business). In my struggling phase of figuring out what to do in life I was clear about 3 things: I do not want to be a doctor, an engineer and I do not want to be associated with business. So I chose arts in St. Xavier’s college Mumbai. Before being a dancer I wanted to be a cricketer, I was the under 13 team captain for Mumbai team and the St. Xavier’s college team captain.
Hip Hop was my forte and my favourite dance style then. When performing for college events I was selected by Terrence Lewis Company for a scholarship program. I went on to work with his company for a long time. Not many people know, but I used to stammer while talking. With Dance and being a dance instructor I gained confidence and learnt the language of Dance.
Gradually I left Terrence sir’s company and went on to participate in Dance India Dance (DID) Season 2. Fun fact is that DID was not my most epic moment in life. The journey has been gradual and satisfying.
Tell us about your journey post DID…
Not many know that before DID season 2 I had auditioned for Jhalak Dikh Laja as a choreographer but I was rejected. One of the best things that happened to me on DID was that I got to be a part of Remo Sir’s team (Remo ke Rangeele). Post DID I went on to assist Remo Sir for his movie ‘FALTU’. It was there that I learnt Camera work and improved my film making skills. Alongside I continued pursuing dance with Jhalak Dikh Laja (4 Seasons). Later, I got to be mentor/judge on DID season 5 and finally came along Dance+ season 2.

How did Acting happen?
My association with Remo sir has been long standing. When he decided to make a dance movie I was offered the role of Chandu (ABCD first instalment). The only question I had asked him before taking up the project was whether I die before the interval or later. The character went to be a hit and then came ABCD2 where I play Vinod (yet another character with shades of dark). I have a knack of understanding dark and deep elements. Probably why my characters portray the same.


Technical Genius showing his MAGIC
One peculiar quality is your art of beautiful story telling through your performances, what has been your inspiration?
‘I like to be Different’, in a dance reality shows the selected dancers are already evolved as dancers. As a mentor, I then take it up as a challenge as to how can I combine their dancing prowess and my story telling in a 2-3 min performance. It’s my way of connecting with the audience and conveying my message.

What is the next thing on your bucket list (workwise) that you want to conquer?
Direction.

Final Message

3 things in life make a man ‘Talent, Hard work & Luck’. Luck is not in our hands. So along with talent make sure you work (MAD) hard to achieve your dreams.

Mysterious Prof. P (wink)
We will very soon see the Mystery Man in the upcoming movie NAWABZAADE!!!

Fun Fact one of our team members has a crush on him and we just made her day(wink). Courtesy Team Mansissim. Photo credits Ashish Baheti and Jimland Photography.

Sunday, 16 October 2016

HALO RE HALO!!!


‘Ghor andhari re rataldi maan nisaraya chaar asavar, Ramjo Ramjo re Amba Maa tame Ramjo saari RAAT!!!’ a famous Gujarati garbo (song) that sums up Navrati for me. Navratri an Indian festival dedicated to the worship of goddess JagdAmba/Durga. Also celebrated as ‘Durga Pujo festival’, my friend ‘the Bangla Babu’, explains the significance: Lord Ram offered Neel Kamal (blue lotus’) to Maa Durga to attain her blessings before going to Lanka to rescue his abducted wife, Sita, from the grip of Ravana.

Rajmata (the queen of our hearts: MOM), Navratri being her favourite festival, takes me back to her childhood memories when she would participate in Raas-Garba competitions in Jamnagar, Gujarat. The secret to my Dancing genes is indeed my folk’s crazy passion for Dance Art…
BOLO AMBE MATA KI JAI!!!

Raas-Garba, one of the most celebrated form of Gujarati folk dance, is the true essence of Navratri. Raas also known as Dandiya Raas a synchronised dance form is traditionally performed with wooden sticks, while Garba a form with rigorous swirls and twirls is showcased in large groups matching the steps in motion.

Over the years Bollywood has captured this beautiful folk form with panache. One man ‘Sanjay Leela Bhansali’ has truly played with colours, grandiose and exuberance while showcasing this folk form. The team that has made is possible for him is the duo Samir & Arsh Tanna. Be it ‘Dholi Taro Dhol Baje’ (Hum Dil De Chuke Sanam) or ‘Nagda Sang Dhol’/ ‘Lahu Muh Lag Gaya’ & ‘Bhai Bhai’ (Ramleela), the duo has left no stone unturned in presenting their devotion and passion for Garba. Their work consists of various Bollywood films viz, Humko tumse pyar hai, Dhanak, Gandhi my father and the list is long….
NAGADA SANG DHOL BHAJE........

The National Award winners for ‘Dholi Taro Dhol Baje’ and the Filmfare award for ‘Lahu Muh Lag Gaya’ got the curious me to cover their journey and unleash ‘the Dance Chemistry’.
My jalebi fafda (wink) time with ‘The Tannas’’

How did the Tanna Jodi meet?
Arsh: I am a trained classical dancer (Kathak). I had joined NM college for my under grad studies and Samir was my senior. Samir would handle the intercollegiate dance festivals. While auditioning for one such event I met Samir for the first time and let’s just say it was the classic college love story. 
Samir: Back then we were auditioning for a folk dance performance and Arsh being a classical dancer had her limitations, but the moment I saw her I wanted her in my dance troupe. That’s how we met and here we are.
ANIRUDH TANNA: DADAJI
Who is your inspiration?
Arsh: My journey with Samir personally and professionally and also my association with his family (Dada bhai- father in-law and my sister-in-law’s who themselves are classical dancers (Bharatanatyam and Manipuri) has somewhere been my major source of inspiration.                                                                                   
Samir: I owe my knowledge and love for dance/dramatics to my father Anirudh Tanna, famously known as ‘Dada bhai’ amongst the Gujarati art circle. He was a true “Showman”, a dramatics and dance teacher to the differently abled (blind, deaf & dumb), he has choreographed numerous dance ballets’ and written various narratives and songs.                                                                                     
Also our guru Indumati Lele (Folk dance teacher) and Hussain Khawra our Dholi is the inspiration for our beats.




DHOLI TARO DHOL BAJE
Tell us more about your journey…
We represented India at the World Folk festival and travelled the world (USA, Russia, London,etc) with our dance troupe in college days. When we came back we started getting choreography offers for inter-collegiate festivals. That’s how our journey as professional choreographers began. Then Sanjay bhai gave us our first Bollywood break with Dholi taro Dhol Baje (Hum Dil De Chuke Sanam). With our big break we won our first National Award for choreography of Dholi taro.


How is working with Sanjay Leela Bhansali?
Arsh: Sanjay bhai is complete school of cinema in himself. He himself being a classical dancer (Odissi) his knowledge in the field is vast. He’s a true Mr. Perfectionist in the industry, I would always go with 10 different variations of the count and show him but he would always say “yeh acha hai but Arsh kuch aur dikhao”. So he pushes you to the limit and brings out the best in you. And apart from choreography he made me sit through the dance costumes, the look and every minute detailing. In my eyes that’s true passion. 


Samir: The fact that Sanjay bhai wants the best encouraged us to be very innovative. Like we used a dhol (weighed 10-12 kgs) in Dholi Taro and asked the dancer to twirl with it. That was first of its kind in the industry. Also in Ram Leela we created an Opera style authentic garba in the song Lahu Muh Lag Gaya. To our surprise we won the Filmfare for Lahu Muh Lag Gaya.

We always explain it as people who enjoy fast paced rigorous western styles (Hip Hop, whacking) will enjoy Nagada Sang Dhol and Dholi taro more, while Lahu Muh Lag Gaya is class and gratitude combined.




You have worked with two of the most beautiful female actors of our times (Aishwarya Rai Bachan and Deepika Padukone) who is your personal favourite as a dancer?

Arsh: Both are very dedicated and hardworking. But my personal favourite is Aishwarya.       
Samir: Its Deepika for me (laughs) (Men will be Men…..wink)

Samir bhai's favorite: Deepika Padukone (wink)
Your upcoming project.

You will see us in Raees with Shahrukh Khan…


Indian Folk as a dance art form needs be more publicised and encouraged amongst our youth today. ‘The Tanna Jodi’ are a true inspiration in keeping these dance forms alive. Indeed, their ‘Love for Dance’ has brought them together and created ‘The Dance Of Love’

RAMJO RAMJO RE!!!
Special mention team Mansissim: Happy Baheti and Ahish.